Despite the beauty of the vase, the potters and painters in ancient Greece did not have the status an artist has in our modern society.
The main scenes on both sides of the amphora are complemented by a delicate ornament. The vase displays balance and harmony of proportions, with its elegant and graceful shape, and carefully planned pictorial decoration. 510 B.C.E., 24 inches high (Staatliche Antikensammlungen, Munich) (photo: Richard Mortel, CC BY-NC-SA 2.0) The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.\): Euthymides, Three Revelers (Athenian red-figure amphora), c. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it.
The correspondence is available to trusted volunteers as ticket #2008100610032761. This correspondence has been reviewed by a Volunteer Response Team (VRT) member and stored in our permission archive. The Wikimedia Foundation has received an e-mail confirming that the copyright holder has approved publication under the terms mentioned on this page. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page. This work is free and may be used by anyone for any purpose. Krater by Euphronios (painter) and Euxitheos (potter). Précédemment dans les collections du Metropolitan Museum of Art, New York (L.2006.10) restitué à l'Italie et exposé à Rome en janvier 2008. Face A du « cratère d'Euphronios », cratère en calice attique à figures rouges signé par Euxithéos (potier) et Euphronios (peintre), v. Français : Le corps de Sarpédon emporté par Hypnos et Thanatos (le Sommeil et la Mort), sous le regard d'Hermès.
0 kommentar(er)
